Marjaavaan - Critics reviews
Hindustan Times was highly negative, calling the film an unwanted return to dated 1980s masala cinema, packed with recycled plotting, cringe inducing situations and relentless rhyming dialogue. Riteish Deshmukh was one of its few bright spots.
Go to Full ReviewKoimoi strongly disliked the film, praising Riteish Deshmukh’s commitment but criticising the outdated story, forgettable dialogue, excessive melodrama and failure to deliver even the mass entertainment it promises.
Go to Full ReviewBollywoodLife strongly criticised the film as an example of how not to make commercial masala cinema, finding its storytelling and execution deeply flawed despite a handful of enjoyable action scenes and punchy dialogues.
Go to Full ReviewPinkvilla found the film a poor mixture of familiar Bollywood formulas, criticising its derivative screenplay, exaggerated dialogue and lack of an engaging story despite the sizeable cast.
Go to Full ReviewBollywood Hungama was the major positive critic, calling Marjaavaan a true masala entertainer and praising its action, dialogue, emotions and ability to appeal to its intended mass audience.
Go to Full ReviewNews18 strongly criticised Marjaavaan as a collection of tired Hindi film cliches, with outdated storytelling, exaggerated dialogue and very little originality.
Go to Full ReviewFilmibeat was largely negative, finding the screenplay and direction poor and the romance and melodrama tiresome. A few action scenes and songs were among its limited positives.
Go to Full ReviewTimes of India was mixed, appreciating some action, emotion and Riteish Deshmukh’s performance, but felt the dated execution and predictable storytelling prevent the film from becoming an effective masala entertainer.
Go to Full ReviewIndia TV News gave the film a negative assessment, describing it as a messy throwback filled with excessive melodrama and familiar retro masala elements rather than convincing emotion.
Go to Full ReviewIndia Today found the film torturous and dramatically hollow, criticising the acting, exaggerated dialogue, derivative action and weak screenplay. Even Riteish Deshmukh’s efforts could not rescue it.
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