Hindustan Times describes it as a painful, confusing thriller ruined by sluggish writing, lazy direction, mindless twists, half-baked characters and wasted actors.

Koimoi finds the plot incoherent, motivations nonexistent, performances damaging and filmmaking amateurish, identifying Riteish Deshmukh's brief appearance as the only relief.

BollywoodLife calls it ridiculously bad and misogynistic, criticizing its romanticization of male entitlement, violence against women and poorly conceived characters.

Pinkvilla says the opening creates interest, but the slow pacing, forgettable dialogue, routine action and disappointing story deliver few genuine chills or thrills.

Bollywood Hungama praises the music, stylish visuals, sharp editing, thrilling moments and franchise appeal, predicting strong acceptance among mass-market audiences.

News18 says the thriller improves after intermission, but its wasted first half, predictable mystery and outdated dialogue prevent the story from becoming gripping.

Filmibeat condemns the chaotic storytelling, shallow characters and forgettable music, saying neither the romance nor the supposed fear leaves a lasting impression.

The Times of India acknowledges numerous twists, but faults the uneven editing, limited performances and inability to create emotional investment.

India Today praises the gripping twists, massy dialogue and energetic performances, but notes illogical action, weak VFX and the absence of Riteish Deshmukh's menace.

The Indian Express criticizes the disjointed plot, pedestrian performances and dated dialogue, saying the messy sequel makes the original appear considerably better.