Baadshaho - Critics reviews
DNA India says the film takes too long to get going and loses steam later. The heist lacks real thrills, while the weak climax and strange open ending leave little impact.
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Hindustan Times says some punchy one liners and the ensemble have appeal, but the film feels old fashioned and becomes a glossy reworking of a familiar 1990s action story.
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Koimoi says Ajay Devgn, Emraan Hashmi and some suspense work, but a poor script, logical gaps and a stretched second half overpower the performances and direction.
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BollywoodLife says Ajay Devgn has presence, Emraan Hashmi brings charisma and Ileana D'Cruz performs well, but the weak script turns a promising setup into a missed opportunity.
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Bollywood Hungama says strong dialogue, visuals, performances and action make the film an entertaining masala thriller, although the screenplay and direction weaken near the end.
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News18 says the film has plenty of gloss but little else to recommend it. The familiar characters, weak writing and lack of substance make the stylish heist disappointing.
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Filmibeat says Ajay Devgn, Emraan Hashmi, punchy dialogue and action make the film a fun guilty pleasure, but the basic story and abrupt climax stop it from becoming a stronger thriller.
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The Times of India says the heist offers little novelty and lacks precision, but Ajay Devgn's intensity, the desert visuals and some action moments can still satisfy masala action fans.
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India TV News says Emraan Hashmi and Sanjay Mishra make parts of the journey enjoyable, but the film is mostly flat and fails to turn its promising heist setup into a gripping thriller.
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India Today says the film wastes its Emergency setting on a predictable heist with little suspense. The action cannot hide the weak story and lack of real thrills.
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The Indian Express says the film offers a few familiar masala pleasures and funny lines, but feels dated, overlong and predictable, with poorly written female characters.
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NDTV says the film has plenty of style and action but very little story or excitement. Emraan Hashmi and Sanjay Mishra provide some relief, while the thin writing and weak climax disappoint.
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