Like Zoya Akhtar’s previous film Zindagi Na Milegi Dobara, Dil Dhadakne Do is also about a trip that changes the travellers’ perspective towards life.
Ashish R Mohan, the director of Welcome To Karachi, was Rohit Shetty’s assistant on many hit films before wielding the megaphone for 2012 film Khiladi 786.
Anurag Kashyap’s Bombay Velvet begins with a mention of Martin Scorsese’s name and bears an imprint of the maverick filmmaker’s style in most of its 150 minute length.
A father who introduces his 30-year-old daughter to her suitors as a "financially, emotionally and sexually independent, non-virgin woman" and a daughter who scolds her dad for his obsession with health and tells him it would have been better if he had some disease.
Sunny Leone's spectacular elevation in Bollywood's pecking order could make a good script for a racy thriller, but her choice of films could well burst the bubble around her enigma soon.
If you take a closer look at Akshay Kumar’s recent films, you’ll realise he is positioning himself as the brand new champion of the crusade against corruption.
Talk of a film on the disabled or 'differently-abled', and we all know that it is one subject our industry is never comfortable with.
It's a known secret that the Bhatt camp doesn't care much about reviews, because it believes that their niche audience base doesn't care about it either.
A man who scoffs at religious practices, approaches God in a temple when he faces a life-shattering truth and begs him to 'reduce his punishment' for not following what the godmen preach.