Based on former investigative journalist S Hussain Zaidi's Mumbai Avengers, Kabir Khan's Phantom was never meant to be a great piece of cinema.
For any movie reviewer worth his salt, director Umesh Shukla's All Is Well is the last word in occupational hazard: You sit through a two-hour-plus film waiting for one spark of creativity, or even half-a-fun moment.
Based on the inspiring and powerful real-life story of Dashrath Manjhi, Ketan Mehta's biopic, Manjhi The Mountain Man, hits theatres on Friday.
Karan Malhotra’s Brothers is not Warrior. It’s an ode to formula-driven content.
When a former film critic sets out to make his first film, he is expected to, among other things, weave an intriguing theme around the plot.
Stunning, gripping, edge-of-the-seat, shocking, engrossing... use any of these adjectives for this Ajay Devgn version of Drishyam, and you are spot on.
Picture this: Corpses are burning on a ghat in Varanasi and the men attending the pyres take lathis and hit on the skulls of the burning corpses while asking each other to ensure that the bodies burn properly.
Never mind which side of the divide you decide to stand, here's one fact of life you ignore at your own peril: Never judge a Salman Khan fan when he's rooting for the Bhai pulling off the most logic defying stunts, and even scenes.
SS Rajamouli's Baahubali is an epic in two parts, narrated through spectacular visuals and amazing special effects, including a 30-minute battle scene helmed with admirable precision.
Journalist-turned-filmmaker Subhash Kapoor, auteur of films such as Phas Gaye Re Obama and Jolly LLB, is back with Guddu Rangeela, a film that tries hard to present Haryana as the perfect premise for a 'desi' western.