SS Rajamouli's Baahubali is an epic in two parts, narrated through spectacular visuals and amazing special effects, including a 30-minute battle scene helmed with admirable precision.
Journalist-turned-filmmaker Subhash Kapoor, auteur of films such as Phas Gaye Re Obama and Jolly LLB, is back with Guddu Rangeela, a film that tries hard to present Haryana as the perfect premise for a 'desi' western.
It sounds uncharitable, but there are a few common threads between Varun Dhawan and Shraddha Kapoor's first dance film ABCD 2, which hits theatres today, and Shah Rukh khan and Deepika padukone's Happy New Year.
What could go wrong in a film that boasts of stars such as Emraan Hashmi and Vidya Balan, and has the backing of one of the most innovative producers of the Hindi film industry? Well, a lot, if the film in question is Hamari Adhuri Kahani.
Like Zoya Akhtar’s previous film Zindagi Na Milegi Dobara, Dil Dhadakne Do is also about a trip that changes the travellers’ perspective towards life.
Ashish R Mohan, the director of Welcome To Karachi, was Rohit Shetty’s assistant on many hit films before wielding the megaphone for 2012 film Khiladi 786.
Anurag Kashyap’s Bombay Velvet begins with a mention of Martin Scorsese’s name and bears an imprint of the maverick filmmaker’s style in most of its 150 minute length.
A father who introduces his 30-year-old daughter to her suitors as a "financially, emotionally and sexually independent, non-virgin woman" and a daughter who scolds her dad for his obsession with health and tells him it would have been better if he had some disease.
Sunny Leone's spectacular elevation in Bollywood's pecking order could make a good script for a racy thriller, but her choice of films could well burst the bubble around her enigma soon.