Sonakshi Sinha’s Noor is the story of a young journalist who covers small stories but aspires to bring “real stories” to the light.
When a top politician refers to Raveena Tandon’s character and says, “Aurat hai... kya kar legi (She’s a woman... what can she do?),” we know he will soon have to eat his words.
Sir Cyril Radcliffe probably didn’t think about the misery the line, which was named after him that divided Indian and Pakistan after partition, would bring upon the people living closer to it.
With Naam Shabana, director Neeraj Pandey passes the baton to Shivam Nair for the spinoff of his earlier flick Baby.
Phillauri, the second production venture of Anushka Sharma, hits screens on Friday. With a “friendly ghost” aka Anushka in the film, it is a fresh take on love stories.
Thanks to its crew’s fight with the Censor Board Of Film Certification, Anaarkali Of Aarah didn’t remain as low-key as it would have been otherwise.
Big cities can turn into a dystopian reality at will. It can squeeze, bruise and leave you scarred for life if you don’t act on time.
Badrinath Ki Dulhania begins as a cute sweet love story between a Jhansi boy and a Kota girl, but the director understands the current tide of films that celebrate powerful, liberated women..
When the makers of 2013 film Commando decided to return with a sequel, it seemed like a good idea simply because the audience hadn’t forgotten the sheer intensity of the action scenes.
It may be one of the most awaited films in recent times but Rangoon is a royal misfire.