Movie Review: The Blue Umbrella


By Taran Adarsh,


Pure and unadulterated -- two words that do justice to Vishal

Bhardwaj's cinematic adaptation of Ruskin Bond's novella THE BLUE

UMBRELLA. That Vishal is an adept storyteller is known by now. In THE

BLUE UMBRELLA, he goes back to his directorial debut. If MAKDEE

was about a village girl and a witch, THE BLUE UMBRELLA is about an

umbrella that becomes the object of envy in a hamlet in Himachal


Stories like the one narrated in THE BLUE UMBRELLA are a rarity

today, since the focus is on a large canvas and larger than life stars. THE

BLUE UMBRELLA is set in a hamlet and essentially revolves around an

umbrella, a kid and a tea stall owner.

The handling of the subject material is interesting, but the fact remains

that the film has its limitations. It caters to a small section of moviegoers,

the connoisseurs of cinema, thereby restricting its appeal to select

multiplexes in select cities.

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The story unfurls with the discovery of a vibrant blue umbrella by Biniya

[Shreya Sharma], an eleven-year-old girl from an idyllic mountain village in

North India. She has never seen anything more striking and beautiful.

Neither has Nandkishore Khatri [Pankaj Kapur].

Khatri runs a small tea stall in the village. He is a miser who has a

fondness for pickles and swindling kids off their little possessions. Khatri

is smitten by the beauty of the umbrella and goes to remarkable lengths to

acquire it, but fails miserably.

However, Khatri is not the only one to covet the umbrella. The

umbrella's arrival disturbs the tranquility and harmony of the village.

Biniya's secret weapon gives her an enviable power over the small town, as

the umbrella assumes mythical status.

One fine day, the umbrella goes missing…

As a storyteller, Vishal Bhardwaj has a knack of narrating a story well

and also extracting wonderful performances from the cast. In THE BLUE

UMBRELLA, the director succeeds in conveying a message [greed can

ruin the best of relationships] forcefully towards the end, when the entire

village boycotts Pankaj Kapur for robbing the umbrella. The second hour,

in particular the concluding reels, are highly absorbing.

However, the film can do with some trimming in the second hour.

Cinematography is inconsistent. Why is the lighting too dark at times,

especially during indoor sequences? Otherwise, the outdoor work is


Pankaj Kapur is in top form yet again, although, at times, his dialogues

aren't audible. Shreya Sharma is a terrific discovery. She stands on her

feet, despite being pitted with a towering performer like Kapur. The

remaining cast is alright.

On the whole, THE BLUE UMBRELLA is a well-made film, but it's

for a handful of viewers in a handful of cities. More for the Festival

circuit. Rating: 4

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