By Hindustan Times
Manoj Kumar is all set to return to direction with a film called DNA Report. This would be Kumar's first directorial venture since the badly-received Clerk in 1989.
Informs the veteran director, "I haven't been able to make any film because of my back problem. But now my script
is ready. It's a film called DNA Report. It's about how a man becomes a victim of a DNA test when he has never had any emotional or physical relationship with a woman. Then how does the DNA report say he's the father of the woman's child? This is a subject I've never been into."
Says Manoj Kumar regretfully, "I don't have the comfort of working with Manoj Kumar the actor anymore. He is capable of telling home truths in the most understated manner. So I've to select from the stars today. It's an expensive film. I have zeroed in on an actor. But until everything is finalized I can't talk about it."
Manoj may go for a completely new leading lady.
Says the actor, "I have an eye for talent. Do you know in Shor when Sharmila Tagore ditched me (she was supposed to play my wife's role that Nanda finally played) I had offered that role to Smita Patil. She politely told me she was not interested in acting at that point of time. God has given me honest eyes and pure ears."
Talking about him getting into direction, Manoj says, "I never intended to be a director in the first place. I became one by default when during Shaheed, I had to direct the film unofficially. Then Lal Bahadur Shastri raised the slogan of 'Jai jawan jai kishan'. That's how I made Upkar. I give credit of my success to my parents. My father was a poet philosopher. I came to Mumbai with two targets. One was to be a hero, the other was to make 3 lakh rupees,1 lakh each for my two parents and 1 lakh for my siblings. When I had left home in Delhi in 1956 to come to Mumbai to become a hero, my father gave me a letter. In that letter he said, 'My blood can never commit blunders, only mistakes'. I made mistakes in my career. But not blunders."
Commenting in his long absence from direction says, "I am not a greedy film person even as an actor. While my contemporaries Dharmendra and Shashi Kapoor acted in nearly 300 films each, I've done hardly 35 films in my entire career. One of my last directorial ventures Kalyug Aur Ramayan was my best script. But because it went through a lot of changes it lost its sheen. My characters were called Ram and Sita. There was a song in the film 'Kalyug ki sita milne judge ko chali/Sau chuhe khake billi haj ko chaliâ?¦'The moral police took offence. Some people in our society specialize in stopping creative people from doing what they do. The censor board threatened to ban the picture. I changed the title from Kalyug Ki Ramayan to Kalyug Aur Ramayan. The film was not the same any longer."
Among all the films that Manoj Kumar has directed, he considers Shor in 1972 his finest. "It was about a man and his son. I remember I had gone to sign Jaya Bhaduriji after seeing her in Guddi. I told her, 'Shor is about a father and son. The son can't speak and the father pines to hear him. But the day that the son speaks the father can't hear any more.' No Indian film had been made on such a thin storyline. And that is the only film I directed in which I was not named Bharat. Do you know they took one sequence from Shor and made an Iranian film in 1987 called The Cyclist which won numerous awards. Shor was the first film that I edited myself. The great Hrishikesh Mukherjee who was the chairperson of editors' jury gave me the Filmfare award for best editor. Coming from such a skilled technician that was a special challenge for me."
Manoj Kumar admits he feels hurt and isolated within the entertainment industry. "I am not brooding about it. But when I read the interviews of actors whom I gave major breaks to and they don't even mention me, dukh to hota hai."